![]() ![]() With this DNG file you can still adjust all the underlying settings of the Raw files, including the camera profile, sharpening, noise reduction, white balance – everything. This is a significant advantage, allowing you to keep a completely non-destructive workflow with HDR images – something previously unheard of. ![]() Notice that the merged HDR file is a DNG, not a TIFF. ![]() If you left Auto Tone unchecked, start by dragging Highlights to the left, and Shadows to the right, then tweaking Exposure, Contrast, and possibly Whites and Blacks. Then after you click Merge, a 32-bit DNG file will appear in Lightroom, which you can tone-map in the Develop Module. I also prefer to leave Auto Tone unchecked, though these settings can be changed later if you do check it). If something moved between frames, like clouds, you might choose a Low, Medium, or High Deghost Amount. (I’d suggest unchecking Auto Align unless you were hand-holding the camera. In the ensuing dialog you have a few simple choices. You just select the images you want to merge in Lightroom and choose Photo > Photo Merge > HDR. It’s even more complicated to create a 32-bit TIFF in HDR Efex and get an editable version into Lightroom to tone-map it.īut the new HDR Merge in Lightroom bypasses all the confusion. You have to do things a certain way to get that 32-bit HDR TIFF from Photoshop into Lightroom. The problem with this workflow is that it’s convoluted. This has been, by far, my favorite HDR method – on those rare occasions when I use HDR – because it usually yields excellent, natural-looking results. This allowed (and still allows) you to create the 32-bit HDR image with another program, like Photoshop or Nik HDR Efex, but do the tone-mapping in Lightroom, with its fabulous Highlights and Shadows tools. But since version 4.1, Lightroom has had the ability to work with 32-bit TIFF files. It’s that tone-mapping part that often leads to surreal and garish HDR effects. But that full dynamic range can’t be viewed on a monitor, so you have to do a second step, called tone mapping, to compress the tones into a usable range. You start by creating the 32-bit HDR image, which contains the full dynamic range of all the merged files. The new HDR Merge looks like a significant improvement over previous methods of creating HDR images, but to explain why we need a little background. Adobe has managed to add improved performance, functionality, and flexibility, yet keep the workflow simple. And I have to say that they’re well done. But of course I had to try these new HDR and panorama features to see how they worked. I don’t create many panoramas, nor do I use HDR very often because Lightroom is so good at handling high-contrast scenes with just one image. … and you can click or drag to paint over the previous spot.īut the biggest additions to Lightroom 6/CC are the ability to create HDR images and panoramas directly from Lightroom, without using Photoshop or another application. (There was a workaround in previous versions of Lightroom, though rather an awkward one: you could place a new spot outside any existing ones, then drag it over an existing spot. Though this seems like a small thing, the ability to add cloning or healing in layers, one step on top of another, is vital for any serious retouching job, and a significant improvement to Lightroom’s retouching capabilities. Press the H key to hide or reveal the circles (the Tool Overlay). There is, however, a new, unadvertised feature of the Spot Removal Tool that I stumbled upon, and find rather useful: you can now place new cloning or healing spots over old ones by hiding the tool’s circles. It would be nice to add a curve to only part of an image, for example, and the Auto Mask function of the Adjustment Brush has long needed improvement.Īlas, Lightroom 6/CC offers only small improvements to the Develop Module, like the ability to move and copy Adjustment Brush pins, and to modify Graduated Filter and Radial Filter selections with a brush. I was hoping for improvements to Lightroom’s retouching tools, and to the Adjustment Brush. When I saw the list of new features, I have to say I was a bit disappointed. The new HDR Merge in Lightroom 6/CC did a great job with this high-contrast scene, producing a natural-looking result, and doing it with a completely non-destructive workflow.Īfter months of rumors, last week Adobe finally released Lightroom 6 and Lightroom CC. Swirling mist from Tunnel View, Yosemite. ![]()
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